Collins Obijiaku’s Tender Portraits Conjure Memories and Community — Colossal

Through eloquent linear details and brushy, color-blocked backgrounds, Collins Obijiaku renders tender portraits in oil. Often directly meeting the viewer’s gaze, the striking figures inspired by individuals within the artist’s community command our attention. The artist harnesses a sense of timelessness, with a palette that swings from earthy to jewel-toned and subtle hints of architecture, nature, and art historical iconography that transcend specific eras.

Raised in Nigeria’s Kaduna region, Obijiaku recently moved to Chicago, where he has grappled with the emotional resonance of distance and getting used to an entirely new place. “Seen through a sentimental lens, these settings lend the paintings an intimate, dreamlike quality, as though recalling a presence from memory,” says a statement from Roberts Projects, which will be presenting the artist’s forthcoming solo show, Wherever You Are, Remember Me.

A portrait in oil of a Black woman in three-quarter profile wearing a white-collared top and portrayed in front of a golden background.
“Portrait of Benedicta Rufus” (2026), oil and charcoal on canvas, 27.6 x 39.4 inches

Obijiaku relishes how everyday experiences have the potential to prompt memories. Food smells can evoke thoughts of holidays or relatives. Sounds can transport us to specific times and places in our past. And when exploring somewhere new, it’s common to experience a kind of illusory familiarity, such as when a stranger passes on the street and they remind us of someone we objectively know is thousands of miles away.

A handful of the works shown here, including “Rengaji” and “Portrait of Benedicta Rufus” will be included in the show, complementing a suite of still lifes. “Rengaji,” for example, nods to Renaissance paintings in the Christian tradition of the likes of Fra Angelico, while also referencing Obijiaku’s own childhood memories of royal processions in Nigeria, where crowds would gather to observe the king.

Wherever You Are, Remember Me opens on November 7 and continues through December 19 in Los Angeles. See more on Obijiaku’s Instagram.

An oil painting referencing medieval religious paintings, featuring Black figures standing together, one with a large halo.
“Rengaji” (2026), oil and charcoal on canvas, 66.1 x 79.1 inches
A portrait in oil of a Black woman standing against a coral-pink background wearing a pink top, with her hand on her chin.
“Yene I” (2023), oil and charcoal on linen, 70.87 x 51.18 inches. Photo by Robert Wedemeyer
An oil painting of a Black man centered in the composition, looking directly at the viewer, with another man in the background wearing a brimmed hat.
“In Good Company” (2026), oil and charcoal on canvas, 40 x 40 inches
A portrait in oil of a Black woman with a black-and-yellow scarf around her head and neck.
“Untitled (Woman I)” (2021), oil on paper, 39.37 x 31.5 inches. Photo by Alan Shaffer
A portrait in oil of a Black man with chin-length braids and a blue shirt.
“SLO” (2023), oil and charcoal on canvas, 39.37 x 27.5 inches. Photo by Philippe Baron
A portrait in oil of a Black man looking directly at the viewer with a stoic expression, wearing a coral pink shirt and standing in front of a beige background.
“Portrait of Silvanus” (2026), oil and charcoal on canvas, 39.37 x 27.56 inches
A portrait in oil of a Black woman and a young Black boy stnading side by side against a lavender-colored background.
“Aunt Vivian and Coach” (2022), oil and charcoal on canvas, 39.37 x 27.56 inches. Photo by Paul Salveson


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